Well, actually I’m back already. Went to see an exhibition Friday, of one of my favourite Danish painters, Otto Frello. He’s 90 this year and doesn’t really paint much anymore, so most of the paintings were a repeat from the ones I saw 20 years ago. It was still a joy.
Each painting is a story, sometimes 5 different ones happening at the same time. Such as the two girls in strange clothes, chatting away in an old street. When you begin to study the image you see all sorts of weird creatures under rocks, in the windows of old buildings, Winnie the Pooh and Piglet are having a chat in the background and a hole in the street reveals a gang of prisoners(?) trying to escape. Or the painting “The funny man” where a fat jolly man dances for two disapproving ladies, while underground is a strange computer lab, in the far background is some sort of revolution going on, people are dancing in the nearby hall and through all of it a gigantic crack is threatening to tear both ground and building apart. Fun, strange, whimsical, surreal and so rich in detail you can keep finding new ones forever. Clothing is crazy and detailed, buildings remind me of Gaudi.
There was no ban on photography in there, the paintings are reproduced all over the web, so I hope it’s ok to add a couple here as well:
“Everybody talks about it, but nothing is being done….”
This post has been a lot longer in my folder than I anticipated, the days seem to suddenly just have flown by with all sorts of nonsense no matter how I prepare. :/ It’ll have to be a prequel instead.
I actually chose “whoop whoop” a topic for getting some painterly skills back, while I ponder my problems with the figurative stuff. I do have ideas that include recognizable objects such as horses, a few tiny people and one very large fish! but I can’t draw for s**t without the aid of my computer. I always did best with a large brush.
So while I was on the background production theme anyway, I grabbed “skies” off my multi page idea list. Simple, fits well with my photography style too. To make it even less complicated I got a stack of really cheap-get-what-you-paid-for tiny 20 cm canvasses that I seem to have no fear of attacking. I don’t like working acrylics on paper unfortunately and I’ve given up on watercolours just now, also to simplify my task list. So there. Supermarket canvas. Boards would be fine too, but I don’t have any. I got 12 canvasses, then G went insane and raided two more shops on our way home from the big city.
It’s the first time ever that I’ve enjoyed working small. 50×50 and up used to be more like it, but for some reason I’m having a blast playing with these. (Still using 5 cm foam brushes, though š ) Mostly just winging it, sometimes looking at cloud photos because I can’t quite remember the technique to paint them. My aim is not traditional landscape, really, so I hope eventually I’ll arrive at something that is “mine”. Currently I’m trying to get a feel for doing like I used to vs. wanting something different. Definitely fumbling, mainly trying to just do, not think. Wading through standard compositions to see if new things emerge in the process.
A batch of first layers
Some of the pictures comply and resemble skies, others persist in remaining backgrounds, my usual syndrome. Sometimes I let them, simply swiping the remains of my palette before ending the session. I don’t know what’s going to be on any of the paintings beyond the next step, and sometimes not even that, no sketching, I just begin by throwing paint. Makes life interesting… Some of these are getting A LOT of layers, another advantage over watercolour.
When I run out of storage space I’ll have to auction them off to get money for a new batch š If all else fails, there’s gesso! Perhaps this pile will last me forever?!
While they dry, I play with some of the bigger wips. Colour blending exercises are fine too, I’m attracted to different combos than I used to, so I need to learn to make them, rather than my “goto greens”. Then we’ll see what happens. It’s a long way to go, but I’m not counting.
I felt I could find space to paint at least 3 days a week when I began this post and definitely feeling the flow and the glow, but reality has been different. There is no gallery of 20 weather pix for you to browse, just a few beginnings and sketches. I’m going ahead and posting them anyway, since I started the journey here, I may as well keep recording it.
I still feel it’s possible to pick up momentum again, if I’m “allowed”. If I allow myself. Complicated issues are happening on the sidelines and I tend to sponge some of it up even when it’s not mine to deal with.
Wish me luck pls! I feel right in this element, so there has to be something more to it besides wasting supplies. During this process it’s slowly dawning on me what I do want to make, that is not like this. Maybe. Things are lurking in the mists at the back of my head that would like to come out. Or I’d like them to. So I can see what they are. š Perhaps that will help me become slightly less obsessed?
Just a twirly sort of day yesterday. Winding bobbins, shuttles, warp chains and plying. Still have some tapestry bobbins and a stick shuttle to wind, then I’m ready to thread the loom and paint some more! Very colourful blanket coming up.
As I was finishing the muted yarn I finally, after two years of just looking at the fiber, figured out how I would have really liked to spin and ply it! Isn’t that just typical…. Where’s that Ctrl+Z when you need it?
Not really happy with any of these yarns, but now they’re done and that’s how it goes.
During breaks I get to play with this:
Big brown pony is recovering from a monster abscess in his left hind hoof. Very ouchy, swelly and gooey. I’ll spare you the sight.