Finally got as far as finishing the bodies of two spring/summer garments, for cool weather since frankly it’s been spring into autumn so far. 🙁 What happened to sitting in the garden, in the shade (oh wait, the hedge all died, no shade), cool drinks, Ravelry on the laptop, piles of yarn and fiber, solar dyeing in glass jars to my heart’s content?
So anyway, here’s where I’m at and I’m very pleased with Mimi’s ability to help me with shaping a sweater along the way. No more trying to see my own back in a mirror and getting my measurements totally mucked up. I’m quite into getting sweaters that are not tents but not super clingy either, testing various methods to learn.
The orange thing is a cotton/alpaca blend, (Linky in Danish for those not on Ravelry) a bit splitty to work with (loose ply, many threads) but very nice to the touch. I hope the zigzag of increases and decreases will help it not droop or lose shape. Pattern is by Marianne Isager knit from the top down. I need to either boil-shrink the castoff or do it again, but otherwise I’m quite happy. The blue cardigan is knitted with Wollmeise lace yarn, only 125g to the body! (edge needs a bit of blocking to lose the ruffles).
Both will get half or 3/4 sleeves. Eventually. No, really, I’ll get on it. Maybe the forecast for July is all a fake and this nastiness will continue for all eternity ;)Â Tomorrow is forecast lovely temps of 25 C AND strong winds. You just can’t win it seems?! *mutter* I didn’t make the curtains for my pavilion yet (and half our hedge died, remember), so I guess knitting outside will be a bit of a nuisance.
Maybe I’ll cook up some silly blog posts instead. Beware…
I can see this post is still getting some traffic. A friend reminded me that I never wrote more about vegetable dyeing and therefore never clearly mentioned the most important info about it: These dyes are not light or washfast. They are fun to play with, but you should not expect to knit items that are meant to stay true to colour.
When I first became interested in natural dyeing it was winter and by March I was getting impatient from all the reading, NO PLANTS in sight. So I decided to try my hand at using what the larder had to offer.
Frozen strawberries and black currants, fresh beetroot, tea leaves, turmeric, onion peels, and horseshoes in rain water for modifier. My mordants were all ready thanks to the www; alum, cream of tartar, tin salt.
And, I have to say, I had a blast. The colours were amazing and everything just went well. I used the most commonly described method, premordant yarn, simmer my berries, cool overnight, strain, then yarn into dyebath to simmer, cool overnight and hang up to dry. I didn’t rinse before drying except in the case of a modifier bath (iron, copper, alkaline or vinegar bath after the dye pot), then a soap flake wash after a week or so which the colours stand up to very well. Sunlight or laundry detergent: not so well….
Beetroot / Rødbeder
When you boil beetroots, the water turns orange. Yes indeed. Then you add vinegar to the pot and BOOM, instant, deep, fantastic purple. I did one skein at a time, exhausting the dye intensity each time. One skein got an alkaline modifier and turned first purple, then beige when dry (the colour literally ran off). I never did get around to trying a skein in the orange pre-vinegar dyebath, maybe some other time. I did do a cold dye version though, soaking a skein in the juice for about a week in the cupboard, and it worked every bit as well as the hot dye bath.
Strawberries / Jordbær
No, you don’t get pink yarn from cooked strawberries, you get salmon orangy. Nothing much I did to it seemed to change that fact. Not really my thing, so I didn’t pursue it further…
Left skein had an alkaline modifier, right skein had an acid modifier, both premordanted with Alum.
Black currant / Solbær
From the garden, saved in the freezer. I just don’t eat that much jam anymore, the bushes grow new berries each year, what the hey, in the pot they go.
Left to right are: Pot ash modifier (alkaline), copper modifier, tin mordant, just dyebath, vinegar rinse.
Red cabbage / Rødkål
Yum, the smell of boiled cabbage…. or not. Surprisingly though, the red cabbage gives up its colour very well and gives a variety of shades and colours with the different modifiers, similar to the range I got from the black currants only more muted. Maybe the chemical properties of the colour in there is the same?
Left to right: Just dyebath, vinegar rinse, tin mordant, iron modifier, potash modifier.
Onion skins / Løgskaller
I’m almost tempted to put this in with the other dye plants, because this dye is supposed to be as colourfast as them. But it is a vegetable, so we’ll mention them here.
First I tried regular yellow onion skins. Alum + CoT mordant. I added one skein at a time, then another as the first was removed and so on until the bath had exhausted. I used only about 25 g of skins for 4x 33 g skeins. Left to right are first and second skein in, the third green one had an iron modifier after dyebath, and the fourth is just a pale, but nice yellow. The last three on the right are done with red onions skins, 1 simple dyebath, 2 iron and the third had pretty much exhausted so I added some orange peels and simmered some more getting a brighter orange. All skeins had about 1 hour simmer each in the dyepot.
Onion skins / løgskaller
Turmeric / Gurkemeje
Basically what you do is add a good couple of spoonfulls of turmeric powder to your boiling water, enter yarn. Take out after 5, 10, 20 and 30 minutes to get deeper shades. A short alkaline bath afterwards can really bring out that yummy, warm orange of a buddhist monk’s robe. Leave it in sunlight and it fades in a matter of days and turns beige if you wash with laundry detergent. Works far better on wool than cotton. There’s quite a bit of powder left if the yarn no matter how much you rinse it, not visible but it sheds out when you wind the skeins for instance.
Tea / The
Tea is not really a dye they say, it’s a stain. Well, you can’t really get it out, can you? So, for brown/beige it works quite alright. AND you can use it on cotton. I dyed a couple of baskets I’d made from heavy cotton string. Then took the lid of one and dipped it into a bowl of water where I’d added some of my own iron modifier from horse shoes. The water turned ink black, I couldn’t even see my item. When I took it out, it had turned a really nice chocolate brown and it stays that way without fading.
Just some samples of my first year dyeing with plants until I can get around to posting details of various methods. Do ask if you’re curious about any of the colours! 🙂
Ok, I admit I didn’t really go much further than my own back yard. But it’s definitely a wilderness behind our garage! There’s a shed where we keep garden furniture etc, a huge birch tree and lots of very tall weeds. We’d cleared an area earlier in the week for burying my beloved dog, and I realized what a lovely, shaded peaceful place it is back there.
I dyed some newly scoured Dorset fleece with a plant that I had good success with last year, Celandine. I have it in my garden where it’s threatening to take over an entire flowerbed.
The outcome was not as expected though, the yellow was muted and pale, no amount of modifier changed it very much. Iron and copper turned it slightly greenish, but no different from each other, pot ash looked the same as before. This does happen with some plants, whereas others change dramatically. I was pretty sure I did modify yarn colours dyed with this plant last year, so what went wrong?
The wool type may not take dye well.
I mordanted in the dyebath, not before as I usually do.
Temps not high enough?
Or maybe the wool was still greasy.
Could be too early in the season too, plants change?
In any case, drumcarding this to get a heathered yarn is out, so I might as well play. Enter new plant, new dyebath. The wool ought to be already mordanted, let’s see if it comes out different shades! If it works, I also want to put some of it into an indigo vat.
Equisetum arvense, Common Horsetail. Gave me a surprisingly nice yellow last year. Not so this year I’d say, or rather, the iron and copper in some of the fiber probably resulted in this murky disaster….
So now I have half and half of the fibers shown above, not much to blend, so the question is what to do next. I think I might just play around with how to make a poll and maybe in a couple of years I’ll even get some votes on it! 😉 A comment below is also very much appreciated.
Jeg havde fÃ¥et to gratis hamme af Dorset fÃ¥r som jo ikke er verdens blødeste uld, ej heller var de klippet professionelt og havde levet et godt frit liv med masser af plantedele i hÃ¥ret. 😉 SÃ¥ jeg har tænkt mig at bruge det som testuld til plantefarvningseksperimenter, og første test blev svaleurt, som jeg har installeret i min have.
Jeg syntes farven blev god på garn sidste år, men denne gang blev det lidt fesent. Jeg tænker det både kan være uldtypen som tager dårligt imod, at der stadig var lanolin i, at temperaturen ikke kom højt nok op eller måske forskellen lå i at jeg kom alun direkte i farvebadet frem for at bejse ulden først som jeg plejer at gøre med garn. Kobber og jern gav en lidt grønlig nuance, men wow-effekten udeblev.
Så jeg besluttede mig for at teste gen- eller overfarvning og valgte Agerpadderok som også gav mig en rigtig fin gul sidste år. Men men, så blev det da rigtig mudret!
Meningen havde været at skaffe en kartemaskine og lave nogen halvmixede batts af de forskellige gule og grønne nuancer, men det ser lidt for kedeligt ud indtil videre. Måske jeg skal putte noget af det i indigo eller kraprodsbad? Eller en portion mere, jeg har et par kg eller 3.
Læg gerne en kommentar til, hvad DU synes jeg skal gøre eller deltag i afstemningen ovenfor!