Make sure you watch all of this – it’s not quite over when you think it is…
[youtube=http://www.youtube.com/watch?feature=player_embedded&v=dnDeo0yhIws]
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All things by immortal power,
Near and Far – Hiddenly
To each other linked are,
That thou canst not stir a flower
Without troubling of a star.
                               Francis Thompson
I found out that my new to me little pocket camera actually does quite good macros. I can’t see a thing on the display outdoors though, so I’ve developed a new (to me) style of taking pictures. I simply wave it around, try to point it in the general direction of something and click. Play with over- and underexposures in the sun etc. The macro lens I have for my SLR is a 90 mm and gives a completely different perspective compared to the wide angle of a tiny camera.
For starters I’ve been doing garden walks since so many things are in bloom right now, but I’ll continue to explore this method time and again just to get out of my regular groove. How about deliberate out of focus for instance? The columbines are going now, so I promise next time it will be something else…
The photos are unprocessed apart from resizing – exposure and colour are all from fiddling with camera settings. No crops. Some have been more deliberately composed, most are randomly aimed at the target.
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For those of you experienced in plant dyeing, this is nothing new, but I thought I’d post an image of mordanted yarns to show the colours you can achieve from that alone. It’s not a complete collection, no iron mordant for instance, just what I happened to have on hand today. 😉 And an unmordanted skein on the right.
I’ll return to my semi-regular schedule probably, when I’m done ruminating over having to put my 3 y.o. cat to sleep yesterday. And I’ve just now realised I don’t really have much in the way of photos…. 🙁
Having been taunted by the lovely greens on other peoples’ yarns, I decided to do this at least once, even though I’ve always thought it would just give a pale yellow.
I first used the method described by Jenny Dean, where you chop up the plant tops, pour boiling water on them, steep for a day, then boil as usual. I recommend using sturdy garden gloves while chopping, unless you need a new pair of rubber gloves anyway. (I don’t know why this came as a surprise, as I frequently draw blood when making salads. What does baffle me however is the fact that my left thumb is still the same size and shape!)
I started off with 350 g of plant to 25 g of yarn, because that’s what I’d picked. Dean’s recipe says 1:1, but MotherOwl suggested at least 8:1 which was good advice. Anyway, simmering/boiling the yarn didn’t give me much of interest. So I decided to keep it under 60° C and that made the green much more vibrant. So I ended up doing an unmordanted skein for a paler colour, one to modify with iron and one cotton, as it apparently can give dark green with iron. It did, but then rinsed out to a dark grey-brown. Could be the tannin mordant, could be that Jenny Dean doesn’t rinse her yarn, but since iron makes it brittle, I always do.
For some reason, the alum mordanted skein doesn’t show correctly with the others, so here’s one of it on its own which I think is more true.
Jeg havde egentlig diskvalificeret nælder som farveplante, fordi jeg forestillede mig at den bare giver en fesen lysegul. Men der er nogen som fremviser grøn, så jeg måtte alligevel prøve. Jenny Dean skriver bl.a. at det med jern giver mørkegrøn på bomuld.
Først brugte jeg Deans metode hvor man hakker bladene, hælder kogende vand pÃ¥ og lader stÃ¥ til dagen efter, hvorefter man koger, farver osv. som “normalt”. Jeg anbefaler at bruge havehandsker nÃ¥r man hakker, med mindre man alligevel trænger til nye gummihandsker. Jeg ved ikke hvorfor det overraskede mig, for jeg har ofte blod i mine salater. Til gengæld er det forbløffende at min venstre tommelfinger stadig har sin oprindelige facon!
Den normale metode med kogning gav en kedelig khakigrøn, sÃ¥ jeg besluttede at forsøge med en lavere temperatur og bruge bladene med det samme – sÃ¥ et kort bad pÃ¥ 60° og sÃ¥ et par stykker i jernbad bagefter. Og det blev en hel del bedre! Bomuldsfeddet blev dog grÃ¥t efter skyl, mÃ¥ske pga bejsning med garvesyre, mÃ¥ske fordi Dean ikke vasker sit garn bagefter, men eftersom jern mørner garnet foretrækker jeg at gøre det.
Efter råd fra Uglemor brugte jeg omkring 10:1 plante:garn istedet for det gængse forhold 1:1, og det må siges at være vejen frem. Ellers er jeg ret sikker på, at garnet rent faktisk var blevet fesengult!
Been so busy picking, carding and spinning the first of three fleeces I was given last year, that I haven’t had time to paint the tapestry sketches that are floating around in my head (they just keep marching in), nor weave the small samplers for learning the process.
I’m finally done, although only with the dyed part. Still 900 g of white (from the one fleece) to deal with…. I must say, the spinning goes super fast from rolags, but picking out plant bits and hand carding was murder. Only 550 g of yarn to show for a whole month’s work, and there’s in total 2500 g left of those fleeces to process. In the meantime, I’m not doing any fun spinning, hardly any knitting, no weaving, no painting… in other words
NOT WORTH IT.
Now I’ve been there, done it and not even a t-shirt to prove it. Yes, buying a collection of many colours of yarns to weave with (gotta have a proper palette) requires a budget, but really, in hours each of my skeins here are worth a fortune compared. If I compare a paid job for the same number of hours I could have gotten several looms as well as a ton of yarn. If I did of course I wouldn’t have the time or energy to play with my hobbies, which is why I opted for free fleece in the first place. I still have an ambition to spin yarn for tapestry, BUT I’m also working on simplifying and destressing my daily life and this is not how you do it.
Using the plant dyed yarns however are an entirely different matter, at the moment the colour schemes I seem to come up with for designs are not very consistent with this intention, but I can work with that. If nothing else, my not plant-yellowish sketches can become paintings I suppose! So, carding is put on the back burner and more instantly gratifying projects are back in business. (and OMG is carding also boring!)
Så er månedens udfordring erklæret slut, jeg fik ikke spundet de hvide totter som håbet, kun de farvede. Og det er HELT ok.
Ideen gik ud på at endelig få onduleret den ene af de gratishamme jeg fik sidste år og gik og sjatfarvede hele sommeren. Spindingen tager ingen tid overhovedet, men pille, pille, pille små stumper strå ud og derefter karte, gab!
Og hvad har jeg efter en hel mÃ¥ned uden anden (sjovere) spinding, uden læsning, maling osv? Blot 550 g garn. Omregner jeg det til et almindeligt job, kunne jeg have købt det pÃ¥ blot et par timer… Det er vist ikke sÃ¥dan man afstresser og simplificerer sit liv, men nu er det da gjort og jeg er tilfreds med at have ordnet dette delmÃ¥l. Resten fÃ¥r pænt lov at ligge til en kedelig vinterdag hvor der ikke skal luges, sÃ¥s spinat, fotograferes forÃ¥rsskov (nÃ¥nej, mit kamera er jo ved at opgive ævred), males skabeloner til at væve efter sÃ¥, ideerne vælter ind og hober sig op mens jeg karter og karter! Der var vist ogsÃ¥ lige noget sommerstrik der skulle være færdigt.
