Tag: plants

Teensy tansy tests

PiaPÃ¥ dansk

1400 g Tanacetum vulgare. Boil, leave for 3 days due to stupor.

First, simmer one mordanted skein for 20 minutes. VERY sunny. More so than the photo below shows (1st skein on the left).

Then enter 2 more skeins + some unmordanted fleece. Take out yarns after half an hour, put one in ammonia soak.

Enter two mystery skeins, previously dyed a dull grey-yellow last year. Leave in fleece. Simmer an hour, then cool in the pot.

Quick iron dip seemed to do nothing much (unlike the Dyer’s chamomile for instance, which just needs a quick dip to turn the yarn olive green) so that’s the skein that had an alkaline modifier. You could leave the ammonia in the yarn for an even deeper bronze, but it’s not good for the wool, so I didn’t, and most of it rinsed out.

CORRECTION AUGUST 21st: After unwrapping one of my cloth experiments, I can say that tansy does react with iron giving a strong olive. In this case however the iron was in the cloth first, i.e. as a mordant, then tansy cold dye poured on as an afterthought. Noteworthy I think!

The mystery skeins were slightly altered, quite greenish. Despite the large amount of dyestuff to yarn, I felt the pot was exhausted, seems like the first skein sucked up all the good stuff. One could use this for a series of yarns from dark to pale by entering one skein at a time and/or leaving in for different amounts of time. I can’t help thinking that a 1:1 dye ratio would give a rather dull shade…

mystery skeins before

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Rejnfan

En lille hurtig test med stor plantemængde i forhold til garn – i alt 5 nøgler á 35 g + en hÃ¥ndfuld uld. Suffolk tror jeg. 1400 g blomster, kogt en time, derefter trukket 3-4 dage.

Først kom jeg 1 bejset bundt i og simrede ca. 20 minutter, hvorefter det var meget mørkt og solgult (mere end på billedet).

Så puttede jeg to mere i, samt en håndfuld vasket men ubejset uld. De fik nok en halv time, det ene dyppede jeg i jern uden at der skete noget, så i stedet kom det i ammoniakbad, hvilket gav en dyb bronze farve. Når man skyller mister man lidt af gløden, men det er jo ikke så godt for uld at være basisk, så det må jeg leve med. Men muligheden foreligger hvis man ønsker.

RETTELSE: efter at have pakket en af mine stofpakker op, kan jeg se at hvis man bruger jern FØRST, som bejse, så giver rejfan faktisk en kraftig oliven/jægergrøn farve!

Ulden lod jeg ligge og puttede så to kedelige brungule fed i, som jeg ikke kan huske hvad de er farvet med. De blev noget grønlige af den tur, absolut forbedrede, og sjovt nok mere ens end da de kom i. De fik en time + afkøling.

Og så syntes jeg farvebadet så lidt svagt ud, det første fed må virkelig have suget til sig af farvestofferne. Det kan man jo udnytte netop til at skabe en gradueret skala af gul fra kraftig til bleg. Hvor gult det bliver når man bruger 1:1 plante og garn fik jeg ikke afprøvet, men jeg tror måske jeg vil holde mig til den kraftige suppe hvis der skal være lidt pang.

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Garden tour through the seasons

PiaChit Chat

Just a few snapshots from around the place through the 10 years we’ve been here.

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Birch – birk

PiaPÃ¥ dansk

Birch leaves are abundant in the Scandinavian countries and were considered poor man’s dye because while it’s relatively lightfast, it does fade – and boy did poor people use and abuse their few sets of clothes in those days! But – no worries. They just re-dyed it every summer, voila, good for another season. (What I don’t understand is how they could wear them for more than a season, my hardworking clothes get worn out in a heartbeat – says something for quality of modern fabrics, doesn’t it). I’m thinking perhaps they also didn’t mordant and that’s why it faded sooner?

Anyway, I found the yellows of the birch a bit dull on my first try, lovely and blending in with nature, but in my initial plant dyeing craze I’ve been going for as much vibrancy as possible. That may change – I do see some natural fleece dying projects in my future, from sheep to sweater kinda thing. Or wall hangings actually.

Soooo, I haven’t explored it extensively yet. What I thought I’d do apart from showing my measly results from last year is write up a summary of the older recipes I’ve found in out of print books, my thoughts on future experimenting and perhaps a few links for the hungry.

Continue reading “Birch – birk” →

Pia’s Playground

PiaPÃ¥ dansk

-or “Where’s my Igor?”

I’m no good at it so far, I haven’t done my research yet, but I just had to try, didn’t I…..

Various cottons and one mystery cloth washed in soda, some soaked in red wine for tannin (YES, it had gone bad, ok?), some cooked with sumak, some with horse shoes, some a bit of both. I also had one treated with milk but forgot to label them, so I dunno which one that is.

Everything will be sitting in the greenhouse in various buckets now for weeks or months depending on my patience. Some with plant matter on the outside, others just in Alum/CoT water, or iron or everything. I did take notes….

Basically I’m just going to keep adding layers until they look interesting. The worst that can happen is nothing. Plant material: what caught my eye in the garden that day.

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Plantetryk på stof

Jeg har ikke helt fået studeret emnet nok, det er svært at få plantefarve til at fæste på bomuld, især direkte som tryk fra blade mm.

Men jeg mÃ¥tte alligevel iværksætte et par vanvittige eksperimenter…

Stoffet er vasket i soda, noget af det har fÃ¥et garvesyre fra rødvin eller hjortetakblade/bark, noget har været dyppet i jernvand eller stænket med det, ligget i blød med hestesko, sÃ¥dan lidt efter tilfældighedernes princip. Jeg er helt sikker pÃ¥ jeg ogsÃ¥ har haft et stykke i mælk (skulle binde protein i stoffet, sÃ¥ det tager mere farve), men glemte at sætte labels pÃ¥ sidste Ã¥r. SÃ¥ nu ved jeg ikke hvilket stykke det er….

Nu får det hele lov at ligge i spande i drivhuset nogen uger eller måneder, alt efter hvor god jeg er til at styre min nysgerrighed. Det værste der kan ske er jo ingenting!

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Rowan – sorbus aucuparia

PiaPÃ¥ dansk

This was just a small experiment since my rowan trees on the property are rather measly. And the ones along the main road are too tall for me to reach…. So I just did my usual simmer-soak-simmer-soak 2-day routine to get it out of my hair, like. I threw in a couple of berries because, well, they fell into my sack. Alum/CoT mordant on wool yarn.

Birch left, Rowan right, in my usual Sumak drying tree

I forgot to weigh the leaves…..

One of my books suggests it’s a good base under madder and indigo, another that it gives a brownish yellow. (brown in my head not being great under blue? I could of course be wrong)

The colour did turn out to be a different yellow than birch leaves (more on those in the near future), so quite ok as experiments go. Whether the berries had an influence? Well, it’s always fun to have more mysteries waiting out there.

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Rønnebær og -blade


Det skulle lige prøves, ingen forventninger andet end “gul”. Men det kan jo bruges til overfarvning. xx g blade (og et par klaser bær fordi de sad der) til 30 g garn, alun/vinsten bejset.

Den gule farve er i øvrigt, mod min forventning, anderledes end den gule fra birkeblade, så det var alligevel ikke et helt tosset eksperiment. Om det er de få bær som har give en lidt varmere tone er svært at vide, det må jeg teste en anden dag. Men det er da en udmærket måde at få variation.

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