Just a bit of gathering while walking the dog, to keep me occupied during winter in case I get urges.
In addition to the chestnut hulls I brought home, I also gathered spruce cones from the forest.
AND I found one young alder tree on our property that had produced cones, so I got myself a bag of those too.
I then tried to strip the larch trees, but they were not quite ready to let go of their needles, and those which did mostly ended up on my sweater. Tricky! I’ll get back to them in a week or so.
Then I went foraging websites and ended up ordering this canning device with a thermostat, I’m guessing it’s real good for keeping madder root at it’s proper temp as well! Since the jars will be shut I’m wondering if I could use it for apple sauce too. Not sure if I’ve had actual mordants or acid dye in there, what do y’all think?
Time for the last set of plant print experiments! I wasn’t really inspired to attempt any nice photography, so I just popped them in the flatbed scanner for you.
Sheet from last batch as well as the “mystery fabric that doesn’t take any colour” (I think we’ll just call it Homer from now on) had a bath in aluminium acetate then some powdered madder root and a handful of dried hollyhock heads, and the sheet, previously dyed brown from longterm exposure to celandine, had a short bath in – well, celandine. Not a lot of improvement, so I wrapped it up with some fern leaves. Nothing much happened for weeks, so I steamed it. And if you squint you might just be able to see a weak fern pattern…. Mostly, what I got was a bunch of brown, mouldy fabrics smelling like a cow’s a*se.
The raspberry leaves did print nicely – from the top side of the leaves only, the fabric covering the back of the leaves have 0 change. And, well, the lupine leaves? yawn…..
I actually think I’m giving up on this. Rose leaves gave me nothing. Alchemilla mollis, nothing.
I may however, decide to try with paper, after reading this blog. Tell me it isn’t cool!
Of course, I’m rapidly running out of leaves, so this will be for another year. Tomorrow I’ll go check if any more of these are still up (and no, I can’t imagine they’ll actually print red)
Tid til flere eksperimenter inden sæsonen er slut! Lupinblade og bregner rullet ind i bomuld. Forsøgte mig ogsÃ¥ med rosenblade – ingenting skete. Faktisk skete der absolut ingenting med nogen af mine forsøg ved at blot lade stoffet ligge med planter i og holde det fugtigt, sÃ¥ jeg prøvede at dampe/koge et par stykker. Hindbærblade virkede ligesÃ¥ godt som egeblade, men kun fra forsiden. Tørrede stokrosehoveder var derimod forbavsende gode, glæder mig til at farve garn med dem.
Og der sker lige nøjagtig ikke ret meget, ud over at det begynder at stinke efter en måneds tid, så nu tror jeg ærlig talt ikke jeg gider prøve igen lige foreløbig, slet ikke på bomuld i hvert fald.
The sheet on the right was previously washed with soda, cooked with sumak leaves and was soaking in water with iron while rolled up with celandine. The pillow case similar although no tannin before but soaking in water with oak leaves while printing.
Discoveries so far:
Oak leaves = nice clear prints
yellow flowers = vague yellow blotches
Sage leaves = absolutely nothing. Maybe a pale shade of yellow?
Celandine leaves in a heap = again, turns brown when sitting too long
Put cloth in bucket of whatever = only the outside layer takes any colour at all.
My mystery cloth just lost whatever I put on it previously and didn’t take anything from the leaves it had been rolled up with.
None of these cotton rags were properly mordanted, which is the next process I’ll be trying to see what the difference is. Tannin and aluminium acetate, some with sea water and aluminium. Some with iron as well, before or after. But I probably won’t get to actually dyeing them until next summer. Rhubarb leaves will be on the menu as well.
Another set is brewing – hoping for prints from lupine leaves among other things.
Funny thing though, the celandine dyed sheet is brown – but when put into water again, the water turns yellow.
Tid til at åbne de sidste pakker jeg præparerede d. 14. august. Den første omtalte jeg d. 21. august, den er nu tør og afventer yderligere eksperimenter på et eller andet tidspunkt.
Der kom ikke sÃ¥ meget ud af det, svaleurt giver stadig brun ved langtidsfarvning og kun egebladene lavede print pÃ¥ stoffet. Det ene stykke stof mistede de print det havde inden og er nu næsten “rent”! Jeg ved ikke helt hvad det er lavet af, det er en slags kanvas og virker ikke syntetisk, mÃ¥ske hør?
So, I made notes. I did not number those notes and match them with my buckets however…. lahdeedahh. Some I remember from description, but…
I was going to leave them all there FOREVER, but in less than a week some had taken on A LOT of colour in the fabric itself, the print part I couldn’t see of course. What to do? Open or leave them?! ARGH!
Ok, so I opened ONE. Seven days in. Hot weather (finally). And did recognize it after opening, so the registration is back on track.
This cloth had previously been soaked in red wine with a horse shoe on top. Then bundled with tansy, daylilies, something sunflower like and sage. Cold water bucket. I also poured in some exhaust from the tansy test halfway through, I think that’s what’s giving the olive green with the iron and also being the outer layers of the package. There goes my theory about tansy not reacting with iron!
I learned that you don’t get clear plant prints when submerging the cloth in fluid. So next thing would be add flowers to damp cloth and then not to use more water. I should probably go read my book….
In the mean time I’ve been cooking the rest of my cottons in tannins and aluminium acetate. So they should be ready for further experimentation. Next up if I come across old bedsheets etc. will be seawater and milk, and I’ve got some dried sumac bark from last year. I’ve also aquired some texts on dyeing with clay and rust among other things, can’t wait to dive into them. Bring on winter, see if I care! (Yeah, I said that last year too and spent the entire winter being sick = no crafting, but I’m not planning on a repeat). Silk fabrics, cellulose fiber yarns – lots to try! As well as trying out the procedure on wools for comparison with ordinary mordants. There’s no end to the experiments, somebody find me a huge grant?! 😀
Funny how boiled oak leaves left to steep for a few days, look and smell JUST like black tea. So I wonder if that’s the smell of tannic acid? I didn’t have a sip though 😉
Kort fortalt, jeg tester alle mulige måder at få plantefarve til at hæfte på bomuld. Garvesyre fra rødvin, egeblade, bark, aluminiumsulfat, havvand, mælk, jernopløsning. Første test var 4 forskellige spande med blomster og salvie rullet ind i lagner og puttet i spande i drivhuset.
Efter en uge hev jeg første bundt op og har bl.a. lært at man ikke fÃ¥r tydelige print af blomsterne ved at have stoffet liggende i væske, der skal man nok sarte med fugtigt stof og sÃ¥ snøre blomsterne ind og lade være. Jeg kunne ogsÃ¥ studere lidt først, men det er typisk mig at bare prøve noget. Jeg burde nok tage og fÃ¥ læst min bog om emnet! Jeg har ogsÃ¥ fÃ¥et fat i nogen e-bøger om at farve med ler, rust og andet sjovt. Vinteren kan bare komme an og gerne med en del mindre sygdom end den sidste, hvor jeg sagde det samme og sÃ¥ blev det bare til nul spinding! 🙁
Jeg skal ogsÃ¥ have spundet nogen forskellige plantefibre og teste med dem, mÃ¥ske silkestof? Nogen som vil donere noget kedeligt hvidt bomuldsgarn? 😉
Kogte egeblade som har trukket et par dage lugter fuldstændig som og ligner sort the. Gad vide om det simpelthen er garvesyre der lugter sÃ¥dan? Jeg smagte dog ikke pÃ¥ det….
Jeg lader stoffet tørre mellem hver behandling, jeg håber det sætter sig og ikke bliver vasket ud i næste omgang, men de kloge påstår jo at det kan lade sig gøre på den måde.
1400 g Tanacetum vulgare. Boil, leave for 3 days due to stupor.
First, simmer one mordanted skein for 20 minutes. VERY sunny. More so than the photo below shows (1st skein on the left).
Then enter 2 more skeins + some unmordanted fleece. Take out yarns after half an hour, put one in ammonia soak.
Enter two mystery skeins, previously dyed a dull grey-yellow last year. Leave in fleece. Simmer an hour, then cool in the pot.
Quick iron dip seemed to do nothing much (unlike the Dyer’s chamomile for instance, which just needs a quick dip to turn the yarn olive green) so that’s the skein that had an alkaline modifier. You could leave the ammonia in the yarn for an even deeper bronze, but it’s not good for the wool, so I didn’t, and most of it rinsed out.
CORRECTION AUGUST 21st: After unwrapping one of my cloth experiments, I can say that tansy does react with iron giving a strong olive. In this case however the iron was in the cloth first, i.e. as a mordant, then tansy cold dye poured on as an afterthought. Noteworthy I think!
The mystery skeins were slightly altered, quite greenish. Despite the large amount of dyestuff to yarn, I felt the pot was exhausted, seems like the first skein sucked up all the good stuff. One could use this for a series of yarns from dark to pale by entering one skein at a time and/or leaving in for different amounts of time. I can’t help thinking that a 1:1 dye ratio would give a rather dull shade…
En lille hurtig test med stor plantemængde i forhold til garn – i alt 5 nøgler á 35 g + en hÃ¥ndfuld uld. Suffolk tror jeg. 1400 g blomster, kogt en time, derefter trukket 3-4 dage.
Først kom jeg 1 bejset bundt i og simrede ca. 20 minutter, hvorefter det var meget mørkt og solgult (mere end på billedet).
Så puttede jeg to mere i, samt en håndfuld vasket men ubejset uld. De fik nok en halv time, det ene dyppede jeg i jern uden at der skete noget, så i stedet kom det i ammoniakbad, hvilket gav en dyb bronze farve. Når man skyller mister man lidt af gløden, men det er jo ikke så godt for uld at være basisk, så det må jeg leve med. Men muligheden foreligger hvis man ønsker.
RETTELSE: efter at have pakket en af mine stofpakker op, kan jeg se at hvis man bruger jern FÃRST, som bejse, sÃ¥ giver rejfan faktisk en kraftig oliven/jægergrøn farve!
Ulden lod jeg ligge og puttede så to kedelige brungule fed i, som jeg ikke kan huske hvad de er farvet med. De blev noget grønlige af den tur, absolut forbedrede, og sjovt nok mere ens end da de kom i. De fik en time + afkøling.
Og så syntes jeg farvebadet så lidt svagt ud, det første fed må virkelig have suget til sig af farvestofferne. Det kan man jo udnytte netop til at skabe en gradueret skala af gul fra kraftig til bleg. Hvor gult det bliver når man bruger 1:1 plante og garn fik jeg ikke afprøvet, men jeg tror måske jeg vil holde mig til den kraftige suppe hvis der skal være lidt pang.
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