Well, part 3 really. Since I already showed off some cloths from last year and blabbed about the new project in another post.

So, I made notes. I did not number those notes and match them with my buckets however…. lahdeedahh. Some I remember from description, but…

I was going to leave them all there FOREVER, but in less than a week some had taken on A LOT of colour in the fabric itself, the print part I couldn’t see of course. What to do? Open or leave them?! ARGH!

Ok, so I opened ONE. Seven days in. Hot weather (finally). And did recognize it after opening, so the registration is back on track.

This cloth had previously been soaked in red wine with a horse shoe on top. Then bundled with tansy, daylilies, something sunflower like and sage. Cold water bucket. I also poured in some exhaust from the tansy test halfway through, I think that’s what’s giving the olive green with the iron and also being the outer layers of the package. There goes my theory about tansy not reacting with iron!

I learned that you don’t get clear plant prints when submerging the cloth in fluid. So next thing would be add flowers to damp cloth and then not to use more water. I should probably go read my book….

In the mean time I’ve been cooking the rest of my cottons in tannins and aluminium acetate. So they should be ready for further experimentation. Next up if I come across old bedsheets etc. will be seawater and milk, and I’ve got some dried sumac bark from last year. I’ve also aquired some texts on dyeing with clay and rust among other things, can’t wait to dive into them. Bring on winter, see if I care! (Yeah, I said that last year too and spent the entire winter being sick = no crafting, but I’m not planning on a repeat). Silk fabrics, cellulose fiber yarns – lots to try! As well as trying out the procedure on wools for comparison with ordinary mordants. There’s no end to the experiments, somebody find me a huge grant?! 😀

Funny how boiled oak leaves left to steep for a few days, look and smell JUST like black tea. So I wonder if that’s the smell of tannic acid? I didn’t have a sip though 😉

 

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Plantefarvning på stof

Kort fortalt, jeg tester alle mulige måder at få plantefarve til at hæfte på bomuld. Garvesyre fra rødvin, egeblade, bark, aluminiumsulfat, havvand, mælk, jernopløsning. Første test var 4 forskellige spande med blomster og salvie rullet ind i lagner og puttet i spande i drivhuset.

Efter en uge hev jeg første bundt op og har bl.a. lært at man ikke fÃ¥r tydelige print af blomsterne ved at have stoffet liggende i væske, der skal man nok sarte med fugtigt stof og sÃ¥ snøre blomsterne ind og lade være. Jeg kunne ogsÃ¥ studere lidt først, men det er typisk mig at bare prøve noget. Jeg burde nok tage og fÃ¥ læst min bog om emnet! Jeg har ogsÃ¥ fÃ¥et fat i nogen e-bøger om at farve med ler, rust og andet sjovt. Vinteren kan bare komme an og gerne med en del mindre sygdom end den sidste, hvor jeg sagde det samme og sÃ¥ blev det bare til nul spinding! 🙁

Jeg skal ogsÃ¥ have spundet nogen forskellige plantefibre og teste med dem, mÃ¥ske silkestof? Nogen som vil donere noget kedeligt hvidt bomuldsgarn? 😉

Kogte egeblade som har trukket et par dage lugter fuldstændig som og ligner sort the. Gad vide om det simpelthen er garvesyre der lugter sÃ¥dan? Jeg smagte dog ikke pÃ¥ det….

Jeg lader stoffet tørre mellem hver behandling, jeg håber det sætter sig og ikke bliver vasket ud i næste omgang, men de kloge påstår jo at det kan lade sig gøre på den måde.