Hayloft studio

Three years since my studio was finished and it’s been a wonderful space, even more so since I had water installed. It’s also very cluttered however, the more I do, the more canvasses are stacked everywhere, done or half done, various supplies getting crammed into to few shelves. What I really need is a dry and dust free storage space and/or weaving room separate from the painting! (my dream is 100m2 heated studio with straight walls including my office/library, but that is a completely different budget, especially the heating cost)

So I’ve been contemplating using the rest of the hayloft as a cold studio/summer messy space, eventually with inner walls to minimize moisture and cat damage. Only it’s taken me this long (20 months since I lost the ponies) to get rid of the 200 strawbales  dusting everything up as well as using the space obviously. I couldn’t even be bothered tidying up there, it was just so hopeless. Basically when I do have the energy to go make something, it needs to be easy access, not 2 days of tidying for half a day of painting.

But I finally got that part done AND I was gifted a window for my birthday, so next week the mason will fix the hole to proper size and I’ll at least have a bit of light without the wind, airflow when it’s too hot and a place to spray paint stuff so that I don’t have to leave the studio until the fumes are gone (as well as accidentally spraying my laptop and other sundries). I hope to build one tall wall to hang stuff to dry (or else cats) at least until it gets too humid in autumn.

Lake pigments continued

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Now that I have a small first collection of pigments to play with before new plants can be tested next summer (I do have some old dried things I can try too), there are multiple ways to use them. They need some kind of binder, although I suppose you could just soak them in water. Alcohol? But even watercolours have binders added to add intensity to the colour as well as make it stick to your paper.

You can use oil, egg, honey*, gum, shellac, wax, milk, spit! or buy readymade binders for a variety of mediums. Even an acrylic binder which I may just have to test, although I’m leaning towards wax and shellac since I plan on working with that anyway.

Continue reading “Lake pigments continued”

Plant pigment

Five years ago I did a brief test of concentrated plant dye baths to see what they were like as watercolours. I didn’t add anything to it as I recall and I’m not sure where my sample is now!

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Paraphernalia

Didn’t get ready today to show you a full version of my pigment experiment as planned, as I’ve had other things to attend to. So I thought I’d show you my latest finding, a book press which I thought could help me get water out of new paper sheets, rather than stacking cinderblocks on the floor. One way of tackling multiple projects could be doing so as efficiently as possible!

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Storage contraption

It’s been two years since we finished building my little studio – but the saw still lives right outside in the hayloft. I have some plans to turn the stable downstairs into a general workshop however, now that nobody lives in it.

Anyway – I wanted to show you a tiny little building project that I needed as part of my new cwm project: a rack for storing sticky paint panels. With 45° walls I don’t have a lot of hanging space, there’s dust to consider with slow drying items, and I only have the one work table, so laying out things in a row is not working.

Options: hang from the rafters or store in a mover’s box anywhere. Right now I have so many small test panels I need more racks already! How do you store wet paintings?