This post was initially created in April – edited a month later – and then, and then… I’m feeling like I should have been miles away by now, had I continued to work; so I still need to program a mindset to be accepting of this situation of forced headache breaks etc. As well as get back on the horse with my focus keyword perhaps! (actually, sometimes a break isn’t all that bad, many things tend to work in an ebb and flow motion. Can one possibly sync the inside breaks with the outside ones?!)
Tag: acrylic
All black
Those little canvasses I bought are a bit too absorbent for my taste, making it difficult to start with a thin, even layer of something. So I wanted to try to gesso some of them first, and then came on the little jar of black gesso which I can’t remember why I bought.
And now I have these black squares and for some reason I’m totally blocked when it comes to working on them! It just feels completely different and I can’t make my brain change into a new gear.
I guess I’ll have to just begin, doing nothing in particular, simply to get over this…
Do you use black backgrounds for specific techniques / effects that I might have fun learning?
I’m still “just” painting, haven’t moved into adding other media/objects so far.
I didn’t scan a black square for you 😉 Here you can see how the paint sucks right into the canvas before I have a chance to blend it in. Which can probably be used for some watercoloury effects (I think).
How’s the weather?
“Everybody talks about it, but nothing is being done….”
This post has been a lot longer in my folder than I anticipated, the days seem to suddenly just have flown by with all sorts of nonsense no matter how I prepare. :/ It’ll have to be a prequel instead.
I actually chose “whoop whoop” a topic for getting some painterly skills back, while I ponder my problems with the figurative stuff. I do have ideas that include recognizable objects such as horses, a few tiny people and one very large fish! but I can’t draw for s**t without the aid of my computer. I always did best with a large brush.
So while I was on the background production theme anyway, I grabbed “skies” off my multi page idea list. Simple, fits well with my photography style too. To make it even less complicated I got a stack of really cheap-get-what-you-paid-for tiny 20 cm canvasses that I seem to have no fear of attacking. I don’t like working acrylics on paper unfortunately and I’ve given up on watercolours just now, also to simplify my task list. So there. Supermarket canvas. Boards would be fine too, but I don’t have any. I got 12 canvasses, then G went insane and raided two more shops on our way home from the big city.
It’s the first time ever that I’ve enjoyed working small. 50×50 and up used to be more like it, but for some reason I’m having a blast playing with these. (Still using 5 cm foam brushes, though 😉 ) Mostly just winging it, sometimes looking at cloud photos because I can’t quite remember the technique to paint them. My aim is not traditional landscape, really, so I hope eventually I’ll arrive at something that is “mine”. Currently I’m trying to get a feel for doing like I used to vs. wanting something different. Definitely fumbling, mainly trying to just do, not think. Wading through standard compositions to see if new things emerge in the process.
Some of the pictures comply and resemble skies, others persist in remaining backgrounds, my usual syndrome. Sometimes I let them, simply swiping the remains of my palette before ending the session. I don’t know what’s going to be on any of the paintings beyond the next step, and sometimes not even that, no sketching, I just begin by throwing paint. Makes life interesting… Some of these are getting A LOT of layers, another advantage over watercolour.
When I run out of storage space I’ll have to auction them off to get money for a new batch 😛 If all else fails, there’s gesso! Perhaps this pile will last me forever?!
While they dry, I play with some of the bigger wips. Colour blending exercises are fine too, I’m attracted to different combos than I used to, so I need to learn to make them, rather than my “goto greens”. Then we’ll see what happens. It’s a long way to go, but I’m not counting.
I felt I could find space to paint at least 3 days a week when I began this post and definitely feeling the flow and the glow, but reality has been different. There is no gallery of 20 weather pix for you to browse, just a few beginnings and sketches. I’m going ahead and posting them anyway, since I started the journey here, I may as well keep recording it.
I still feel it’s possible to pick up momentum again, if I’m “allowed”. If I allow myself. Complicated issues are happening on the sidelines and I tend to sponge some of it up even when it’s not mine to deal with.
Wish me luck pls! I feel right in this element, so there has to be something more to it besides wasting supplies. During this process it’s slowly dawning on me what I do want to make, that is not like this. Maybe. Things are lurking in the mists at the back of my head that would like to come out. Or I’d like them to. So I can see what they are. 😉 Perhaps that will help me become slightly less obsessed?
To be continued….
Golden Open
Yesterday I decided to play with my small test tubes of the new(ish?) Golden Open acrylics. Yes, play 😉 and picking some new to me colours as well, india yellow and sap green, with white and ultramarine. I’ve been feeling that I sometimes want to get away from the very bright carnival colours without going brown and grey, you know?
The Open series are supposed to dry slower than regular acrylic paint, but without the smell of the oil and turpentine. As well as staying wet on the palette even overnight.
And they do take their time drying. But it seems that they get sticky with the brush just as fast as the others, or nearly so, and then just stay that way – forever. In fact one canvas done with medium is still slightly sticky this morning. What I was looking to get was a fairly long blending time on the canvas with no brush tracks. Copious amounts of medium helped a bit, but also worked as a glaze. I did a couple of washes with and one “abstract” background without. Just randonly picking up paint, apply, pick up more and try to blend the two areas.
So I wondered if anyone out there had another or the same experience? I don’t mind the longer waiting time as long as I get the longer working time, but one without the other seems pointless. Or is it the no skinning and palette useability that is the actual deal? The pamphlet says “can be reconstituted for a period of time (an hour) once set, using water, fresh paint or mediums.”
I’m looking for something to replace my W&N Galeria when they run out or get to sluggish and it seems Golden is all the rage these days. I already have a hard time squeezing them out of the bottles compared to the couple of newer tubes I have, and thought perhaps that’s why I was experiencing stickyness. The sample Golden Fluids I have do the same though.
Maybe I’m just working too big a surface. (50×50 cm in this case) Doodling away in one small corner works very well if you have your painting all planned, but not if you’re just going to wave your arms a bit and see what happens. Remember, I’m trying to learn to be intuitive about it. Absolutely almost non-thinking. Sometimes I think you have to visit all the extremes to find your middle ground?
So today I’ll try fewer colours in the first round wave, when it begins to get sticky I’ll go at it with fresh paint and water (I thought I was doing that yesterday, but….) Maybe I use too thin layers. Will have to test a thick coat in one corner. (having only those very small tubes)