Open Studios

I promised I’d begin my “new” blog by telling you about the event I participated in this November. (photos at the end)

About 2 months before, an art community that I subscribe to suddenly decided we should all do this together, set the date for mid-November, wham. Er, um, whut? I’m not ready for that. I don’t have the space to do that. I live out in the middle of nowhere and it will be dark and cold. I don’t have enough paintings to show. They’re not good enough. I don’t want strangers in my house! I also don’t want nosy neighbours from the next village in my house. There’s not enough time! I had other plans, I just want to finish my paint project.

But in the end I enlisted anyway. Just to see what would happen, to my stress levels, my self confidence, my work speed, my sense of privacy. What happens if you don’t wait until you’re perfect and ready? If chances arrive and you don’t take them, will they come back?

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Studio update

I can’t believe I announced the extension of my studio more than a year ago and only now realise that I never followed through on that.

So in order to begin blogging again, I guess I might as well start where we left off. I’ve spent some time delaying this by internally debating whether to begin at the end instead, so a compromise was reached: I’ll either share willy-nilly regardless of when a thing actually happened OR this might be a one off heehaw petering out into nothing.

First I just wanted a vertical wall to hang stuff instead of stacking layers of canvasses over my shelves. This evolved into new window for extra light.

Husband thought skylights would be better.

Then while I was at it, I might as well add a second wall and a door to keep out stray cats and their disruptive, stinky behaviour. Oh, and a ceiling to prevent dust on my wall of paintings.

All that remained then was insulation on the two remaining walls and perhaps electricity. Because encaustics space. And papermache table. I simply spent more time clearing my only table in the other room than actually making stuff on it, and then it would be off limits for days with items drying.

So I basically just kept going way beyond the plan and I now occupy the entire hayloft apart from a middle aisle due to stairs in the middle. We’ve just concluded getting a new roof on two buildings this summer (asbestos fiber panels from the 60’s), so perhaps I’ll even insulate a bit more of the inbetween space. Although cold air still comes up from the stable below, I speculate it might even out the quick temperature changes through the roof tiles and perhaps some of the humidity.

All I need now is to get rid of my chronic headache.

Alebrijes

I’ve been asked to begin blogging again, but all the fiber stuff has been dormant (I put up some old handspun for sale and then forgot to tell anybody…) as I’ve focused on painting, which isn’t our usual focus here, so I’ve been reluctant to share. Today however I’ll tell you about another rabbit hole I fell into.

I joined an online school/community here in DK that feature a lot of different classes, and this month is something I never thought I’d be interested in: sculpture. More specifically the technique for making Mexican mythical beasts “alebrijes“. But the course was so well presented that I found myself rearing to go and full of ideas. Too many ideas in fact, that after just a couple of days into the project I’m beginning to wonder what to do with them when they’re done – I can’t imagine dusting off 20-30 figurines around the house, not to mention picking them off the floor constantly when the rowdy bunch have been through. (aka cats) Seems a shame to just fill up the hay loft with boxes, don’t you think?

The process is very simple, like something you might do in elementary school, except you begin with a wire frame/skeleton instead of using pulp. This adds stability, and I hope durability too. It’s a bit like going back to 3D computer graphics as well, where you also coat a mesh like these with a virtual surface.

I ran into a migraine weekend the second day, so instead of making one sculpture from start to finish I’ve decided to make a bunch of frames, then begin adding the paper-maché, since the glue is made from flour and goes bad after a few days. I’m also experimenting wildly with balance, because a challenge only makes it more fun, right?

The theme of the course is A: begin with a sphere, and B: “does it fly?” I’ve been taking the title quite seriously but focus on the “?”, such as a bull with tiny little wings and goats with propellers…. There’s also a turtle with balloons on the drawing board – they just keep lining up for my attention.

I’ve been wanting to get figures into my paintings, so I’n curious whether these sculptures will be a way in for more stories rather than just abstract or empty landscapes, as it often happens for me with cross polination between different crafts.

Hopefully by next week I can show you the coated figures, then I will paint them all together. Possibly there will be art yarn tails included, or is that a bit twee, what do you think?

Sculptures by Else Frøsig, teacher of the class

 

Lake pigments continued

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Now that I have a small first collection of pigments to play with before new plants can be tested next summer (I do have some old dried things I can try too), there are multiple ways to use them. They need some kind of binder, although I suppose you could just soak them in water. Alcohol? But even watercolours have binders added to add intensity to the colour as well as make it stick to your paper.

You can use oil, egg, honey*, gum, shellac, wax, milk, spit! or buy readymade binders for a variety of mediums. Even an acrylic binder which I may just have to test, although I’m leaning towards wax and shellac since I plan on working with that anyway.

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