Studio update

PiaChit Chat

I can’t believe I announced the extension of my studio more than a year ago and only now realise that I never followed through on that.

So in order to begin blogging again, I guess I might as well start where we left off. I’ve spent some time delaying this by internally debating whether to begin at the end instead, so a compromise was reached: I’ll either share willy-nilly regardless of when a thing actually happened OR this might be a one off heehaw petering out into nothing.

First I just wanted a vertical wall to hang stuff instead of stacking layers of canvasses over my shelves. This evolved into new window for extra light.

Husband thought skylights would be better.

Then while I was at it, I might as well add a second wall and a door to keep out stray cats and their disruptive, stinky behaviour. Oh, and a ceiling to prevent dust on my wall of paintings.

All that remained then was insulation on the two remaining walls and perhaps electricity. Because encaustics space. And papermache table. I simply spent more time clearing my only table in the other room than actually making stuff on it, and then it would be off limits for days with items drying.

So I basically just kept going way beyond the plan and I now occupy the entire hayloft apart from a middle aisle due to stairs in the middle. We’ve just concluded getting a new roof on two buildings this summer (asbestos fiber panels from the 60’s), so perhaps I’ll even insulate a bit more of the inbetween space. Although cold air still comes up from the stable below, I speculate it might even out the quick temperature changes through the roof tiles and perhaps some of the humidity.

All I need now is to get rid of my chronic headache.

Hayloft studio

PiaChit Chat

Three years since my studio was finished and it’s been a wonderful space, even more so since I had water installed. It’s also very cluttered however, the more I do, the more canvasses are stacked everywhere, done or half done, various supplies getting crammed into to few shelves. What I really need is a dry and dust free storage space and/or weaving room separate from the painting! (my dream is 100m2 heated studio with straight walls including my office/library, but that is a completely different budget, especially the heating cost)

So I’ve been contemplating using the rest of the hayloft as a cold studio/summer messy space, eventually with inner walls to minimize moisture and cat damage. Only it’s taken me this long (20 months since I lost the ponies) to get rid of the 200 strawbales  dusting everything up as well as using the space obviously. I couldn’t even be bothered tidying up there, it was just so hopeless. Basically when I do have the energy to go make something, it needs to be easy access, not 2 days of tidying for half a day of painting.

But I finally got that part done AND I was gifted a window for my birthday, so next week the mason will fix the hole to proper size and I’ll at least have a bit of light without the wind, airflow when it’s too hot and a place to spray paint stuff so that I don’t have to leave the studio until the fumes are gone (as well as accidentally spraying my laptop and other sundries). I hope to build one tall wall to hang stuff to dry (or else cats) at least until it gets too humid in autumn.

Alebrijes

PiaPainting

I’ve been asked to begin blogging again, but all the fiber stuff has been dormant (I put up some old handspun for sale and then forgot to tell anybody…) as I’ve focused on painting, which isn’t our usual focus here, so I’ve been reluctant to share. Today however I’ll tell you about another rabbit hole I fell into.

I joined an online school/community here in DK that feature a lot of different classes, and this month is something I never thought I’d be interested in: sculpture. More specifically the technique for making Mexican mythical beasts “alebrijes“. But the course was so well presented that I found myself rearing to go and full of ideas. Too many ideas in fact, that after just a couple of days into the project I’m beginning to wonder what to do with them when they’re done – I can’t imagine dusting off 20-30 figurines around the house, not to mention picking them off the floor constantly when the rowdy bunch have been through. (aka cats) Seems a shame to just fill up the hay loft with boxes, don’t you think?

The process is very simple, like something you might do in elementary school, except you begin with a wire frame/skeleton instead of using pulp. This adds stability, and I hope durability too. It’s a bit like going back to 3D computer graphics as well, where you also coat a mesh like these with a virtual surface.

I ran into a migraine weekend the second day, so instead of making one sculpture from start to finish I’ve decided to make a bunch of frames, then begin adding the paper-maché, since the glue is made from flour and goes bad after a few days. I’m also experimenting wildly with balance, because a challenge only makes it more fun, right?

The theme of the course is A: begin with a sphere, and B: “does it fly?” I’ve been taking the title quite seriously but focus on the “?”, such as a bull with tiny little wings and goats with propellers…. There’s also a turtle with balloons on the drawing board – they just keep lining up for my attention.

I’ve been wanting to get figures into my paintings, so I’n curious whether these sculptures will be a way in for more stories rather than just abstract or empty landscapes, as it often happens for me with cross polination between different crafts.

Hopefully by next week I can show you the coated figures, then I will paint them all together. Possibly there will be art yarn tails included, or is that a bit twee, what do you think?

Sculptures by Else Frøsig, teacher of the class

 

2019

PiaChit Chat

You don’t know it, but I’ve actually started writing you a number of times, planned photoshoots of what I was up to but then abandoned it all mid-project because I felt it was just more of the usual stuff and so not very exciting? Does it have to be exciting? Continue reading “2019” →